"Perfection is not the basis of what I'm talking about," says a member of the Cassandra family, which forms the center of Denis Johnson's plays, Hellhound on My Trail and Shoppers Carried by Escalators Into the Flames. The character could be speaking for his creator, because human imperfection is one of Denis Johnson's specialties -- in his critically acclaimed novels, short stories, and nonfiction, and, now, in two brilliant new plays.

These two works present a dramatized field guide to some of the more dysfunctional and dysphoric inhabitants of the American West: a sexual-misconduct investigator who misconducts herself sexually; a renegade Jehovah's Witness who supports his splinter Jehovean group by dealing drugs; the Cassandra Brothers and their father and their grandmother, thrown together at a family reunion/wedding/melee at their shabby homestead in Ukiah, California.

When Shoppers Carried by Escalators Into the Flames was performed in San Francisco in 2001, the Chronicle said, There's an enormous appeal in Johnson's bleak-comic vision of a semi-mythic American West. That appeal derives from the author's perfect vision of imperfection, embodied with such energy and courage in these marvelous pieces of theatre.

Part political disquisition, part travel journal, part self-exploration, Seek is a collection of essays and articles in which Denis Johnson essentially takes on the world. And not an obliging, easygoing world either; but rather one in which horror and beauty exist in such proximity that they might well be interchangeable. Where violence and poverty and moral transgression go unchecked, even unnoticed. A world of such wild, rocketing energy that, grasping it, anything at all is possible.

Whether traveling through war-ravaged Liberia, mingling with the crowds at a Christian Biker rally, exploring his own authority issues through the lens of this nation's militia groups, or attempting to unearth his inner resources while mining for gold in the wilds of Alaska, Johnson writes with a mixture of humility and humorous candor that is everywhere present.

With the breathtaking and often haunting lyricism for which his work is renowned, Johnson considers in these pieces our need for transcendence. And, as readers of his previous work know, Johnson's path to consecration frequently requires a limning of the darkest abyss. If the path to knowledge lies in experience, Seek is a fascinating record of Johnson's profoundly moving pilgrimage.

The most critically acclaimed, and first, of Denis Johnson's novels, Angels puts Jamie Mays -- a runaway wife toting along two kids -- and Bill Houston -- ex-Navy man, ex-husband, ex-con -- on a Greyhound Bus for a dark, wild ride cross country. Driven by restless souls, bad booze, and desperate needs, Jamie and Bill bounce from bus stations to cheap hotels as they ply the strange, fascinating, and dangerous fringe of American life. Their tickets may say Phoenix, but their inescapable destination is a last stop marked by stunning violence and mind-shattering surprise.

Denis Johnson, known for his portraits of America's dispossessed, sets off literary pyrotechnics on this highway odyssey, lighting the trek with wit and a personal metaphysics that defiantly takes on the world.

Love and death and the passage between entry into the world and exit from it are the focus of this collection of short stories. Buthaina Al Nasiri is an Iraqi author who has lived in Cairo since 1979. Despite this physical and temporal distance from her homeland, much of her material derives from it and many of the stories in this collection reflect her deeply felt nostalgia for Iraq. In contrast to many contemporary female writers, she confesses to being less interested in the position of women in society than in that of people in general and the sufferings they experience between birth and the end of life. Nonetheless, some of her best stories depict the many-colored relationships that exist between the sexes.Buthaina Al Nasiri's work has been widely translated into European languages, but this is the first volume of her stories to appear in English, for which renowned translator Denys Johnson-Davies has selected work from a career of short-story writing spanning some thirty years.To view a short video created by the author, go to www.youtube.com/watch?v=RDOedA9hQ8M.

Together with such figures as the scholar Taha Hussein, the playwright Tawfik al-Hakim, the short story writer Mahmoud Teymour and - of course - Naguib Mahfouz, Yahya Hakki belongs to that distinguished band of early writers who, midway through the last century, under the influence of Western literature, began to practice genres of creative writing that were new to the traditions of classical Arabic. In the first story in this volume, the very short 'Story in the Form of a Petition, ' Yahya Hakki demonstrates his ease with gentle humor, a form rare in Arabic writing. In the following two stories, 'Mother of the Destitute' and 'A Story from Prison, ' he describes with typical sympathy individuals who, less privileged than others, somehow manage to scrape through life's hardships. The latter story deals with the people of Upper Egypt, for whom the writer had a special understanding and affection. It is, however, for the title story (in fact, more of a novella) of this collection that the writer is best known. Recounting the difficulties faced by a young man who is sent to England to study medicine and who then returns to Egypt to pit his new ideals against tradition, 'The Lamp of Umm Hashim' was the first of several works in Arabic to deal with the way in which an individual tries to come to terms with two divergent cultures.

Translated by Denys Johnson-Davies
With a new introduction by Tayeb Salih

‘An Arabian Nights in reverse … Powerfully and poetically written’ 
Observer

When a young man returns to his village in the Sudan after many years studying in Europe, he finds that among the familiar faces there is now a stranger – the enigmatic Mustafa Sa’eed. As the two become friends, Mustafa tells the younger man the disturbing story of his own life in London after the First World War. Lionized by society and desired by women as an exotic novelty, Mustafa was driven to take brutal revenge on the decadent West and was, in turn, destroyed by it. Now the terrible legacy of his actions has come to haunt the small village at the bend of the Nile.

The story of a man undone by a culture that in part created him, Season of Migration to the North is a powerful and evocative examination of colonization in two vastly different worlds.

After years of study in Europe, the young narrator of "Season of Migration to the North" returns to his village along the Nile in the Sudan. It is the 1960s, and he is eager to make a contribution to the new postcolonial life of his country. Back home, he discovers a stranger among the familiar faces of childhood--the enigmatic Mustafa Sa'eed. Mustafa takes the young man into his confidence, telling him the story of his own years in London, of his brilliant career as an economist, and of the series of fraught and deadly relationships with European women that led to a terrible public reckoning and his return to his native land.
But what is the meaning of Mustafa's shocking confession? Mustafa disappears without explanation, leaving the young man--whom he has asked to look after his wife--in an unsettled and violent no-man's-land between Europe and Africa, tradition and innovation, holiness and defilement, and man and woman, from which no one will escape unaltered or unharmed.
"Season of Migration to the North" is a rich and sensual work of deep honesty and incandescent lyricism. In 2001 it was selected by a panel of Arab writers and critics as the most important Arab novel of the twentieth century.

Short story writing in Egypt was still in its infancy when Denys Johnson-Davies, described by Edward Said as "the leading Arabic-English translator of our time," arrived in Cairo as a young man in the 1940s. Nevertheless, he was immediately impressed by such writing talents of the time as Mahmoud Teymour, Yahya Hakki, Yusuf Gohar, and the future Nobel literature laureate Naguib Mahfouz, and he set about translating their works for local English-language periodicals of the time.
He continued to translate over the decades, and sixty years later he brings together this remarkable overview of the work of several generations of Egypt's leading short story writers. This selection of some fifty stories represents not only a cross-section through time but also a spectrum of styles, and includes works by Teymour, Hakki, Gohar, and Mahfouz and later writers such as Mohamed El-Bisatie, Said el-Kafrawi, Bahaa Taher, and Radwa Ashour, as well as new young writers of today like Hamdy El-Gazzar, Mansoura Ez Eldin, and Youssef Rakha.

As with his earlier works, Mohamed El-Bisatie's novel is set in the Egyptian countryside, about which he writes with such understanding. Episodic in form, it deals with a family Zaghloul the layabout father, Sakeena the long-suffering wife, and two young boys. The central theme of the book is hunger: the hunger of not knowing where one's next meal is coming from, and the universal hunger for sex and love. Sakeena's life revolves round trying to provide her family with the necessary daily loaves of bread that will stave off starvation. Labor-shy Zaghloul works on and off at one of the village's cafes, but prefers to spend his time listening in on conversations about subjects such as politics, which he would have liked to know more about, if only he had been an educated man. He is also intrigued by the stories told by young university students about their sexual exploits. Eventually chance presents him with a new job: to keep company with an elderly and over-fat man and help him on and off the mule he has to use for getting about. After looking in turn at the lives of the husband and the wife, the novel finally focuses on their elder son, who, although lacking the advantages of any sort of education, nonetheless shows more initiative than his father, and discovers his own way of contributing to the family bread larder. Despite its bleak title, Hunger is told with a lightness of touch and the writer's trademark wry humor.

An intense collection of interconnected stories that portray life through the eyes of a young man in a small Iowa town, by the author of Angels and Resuscitation of a Hanged Man. Each story's perception distinguishes Johnson's hauntingly beautiful vision of American life.

Naguib Mahfouz, the first and only writer of Arabic to be awarded the Nobel prize for literature, wrote prolifically from the 1930s until shortly before his death in 2006, in a variety of genres: novels, short stories, plays, screenplays, a regular weekly newspaper column, and in later life his intensely brief and evocative Dreams. His Cairo Trilogy achieved the status of a world classic, and the Swedish Academy of Letters in awarding him the 1988 Nobel prize for literature noted that Mahfouz "through works rich in nuance-now clear-sightedly realistic, now evocatively ambiguous-has formed an Arabic narrative art that applies to all mankind."Here Denys Johnson-Davies, described by Edward Said as "the leading Arabic-English translator of our time," makes an essential selection of short stories and extracts from novels and other writings, to present a cross-section through time of the very best of the work of Egypt's Nobel literature laureate.

Drawing on an intimate knowledge of modern Arabic writing, Denys Johnson-Davies brings together a colourful mosaic of life as lived and portrayed by Arabs from Morocco to Iraq. From a diverse area of the world with the common factor of a written language, these thirty stories tell of an old Moroccan peasant woman who kills snakes; an Iraqi soldier who returns home as a stranger after years as a prisoner-of-war; a repairer of lost virginities in a Tunisian village; a typically Mahfouzian start to a train journey; the steamy meeting of two women and a catat the height of an Iraqi summer; the ill-fated attraction of a boy to a magical bird in the Tuareg deserts of Libya; and a novel way of hunting ducks in the Nile Delta. The purveyors of this strange and delightful cornucopia of fictions include Naguib Mahfouz, Yusuf Idris and others.

What will you get for your birthday this year? A chance to see into the future? Or a reminder of the imperfect past? In this enviable gathering, Haruki Murakami has chosen for his party some of the very best short story writers of recent years, each with their own birthday experiences, each story a snapshot of life on a single day. Including stories by Russell Banks, Ethan Canin, Raymond Carver, David Foster Wallace, Denis Johnson, Claire Keegan, Andrea Lee, Daniel Lyons, Lewis Robinson, Lynda Sexson, Paul Theroux, William Trevor and Haruki Murakami, this anthology captures a range of emotions evoked by advancing age and the passing of time, from events fondly recalled to the impact of appalling tragedy. Previously published in a Japanese translation by Haruki Murakami, this English edition contains a specially written introduction.

A "New York Times" Notable BookAn "Esquire" Best Book of 2011A "New Yorker" Favorite Book of 2011A "Los Angeles Times" Favorite Book of 2011 Denis Johnson's "Train Dreams" is an epic in miniature, one of his most evocative and poignant fictions. It is the story of Robert Grainier, a day laborer in the American West at the start of the twentieth century---an ordinary man in extraordinary times. Buffeted by the loss of his family, Grainer struggles to make sense of this strange new world. As his story unfolds, we witness both his shocking personal defeats and the radical changes that transform America in his lifetime. Suffused with the history and landscapes of the American West, this novella by the National Book Award--winning author of "Tree of Smoke" captures the disappearance of a distinctly American way of life.

"Al-Ghazali on the Manners Relating to Eating" is the eleventh chapter of the "Revival of the Religious Sciences" (Ihya Ulum al-Din), which is widely regarded as the greatest work of Muslim spirituality. In "Al-Ghazali on the Manners Relating to Eating", Abu Hamid al-Ghazali helps to bring to light the religious and spiritual dimensions of one of the most basic of human needs: eating and the conduct connected with it.---First, Ghazali discusses what a person must uphold when eating by himself: that the food is lawful, that both the person and the surroundings should be clean, that one must be content with what is available, and how the person should conduct himself while eating and after eating. Ghazali then proceeds to discuss eating in company and says that to all the above should be added the necessity of courtesy, conversation and the proper presentation of food. Finally, Ghazali expounds the virtues of hospitality and generosity and the conduct of the host as well as that of the guest. Other topics that are discussed are: abstention from food, fasting and general health. Whilst the focus of this chapter of the "Revival" is upon the question of eating, Ghazali also presents the importance of aligning every aspect of one's life with religion and spirituality. Referring extensively to the example of the Prophet and to that of the early Sufis, Ghazali illustrates how the simple activity of eating can encourage numerous virtues that are themselves necessary for the remainder of the spiritual life.---In this new edition, the Islamic Texts Society has included the translation of Abu Hamid al-Ghazali's own Introduction to the "Revival of the Religious Sciences" which gives the reasons that caused him to write the work, the structure of the whole of the "Revival" and places each of the chapters in the context of the others.

Raymond Carver said of The Incognito Lounge, Denis Johnson's third and most widely acclaimed book of verse: The subject matter is harrowingly convincing, is nothing less than a close examination of the darker side of human conduct. Why do we act this way? Johnson asks. How should we act? His best poems are examples of what the finest poetry can do: bring us closer to ourselves and at the same time put us in touch with something larger.

A collection of linked stories narrated by a recovering alcoholic and heroin addict, Jesus' Son is a disturbing portrayal of loneliness and hope. He travels through an American underworld of burnt-out sports stars, hospital waiting rooms, doomed relationships and senseless violence.

Michael Reed is a man going through the motions, numbed by the death of his wife and child. But when events force him to act as if he cares, he begins to find people who - against all expectation - help him through his private labyrinth. Poignant and beautiful, The Name of the World is a tour de force by one of the most astonishing writers at work today.

Jesus' Son is a visionary chronicle of dreamers, addicts, and lost souls. These stories tell of spiralling grief and transcendence, of rock bottom and redemption, of getting lost and found and lost again. The narrator of these interlinked stories is a young, unnamed man, reeling from his addiction to heroin and alcohol, his mind at once clouded and made brilliantly lucid by these drugs. In the course of his adventures, he meets an assortment of people, who seem as alienated and confused as he; sinners, misfits, the lost, the damned, the desperate and the forgotten. Our of their bleak, seemingly random lives, Denis Johnson creates modern-day parables of a harsh and devastating beauty.

Here, for the first time, is a volume of short stories from this commercially and culturally vital and vibrant center of the Arab world-a selective sampling of a burgeoning literary output since the 1970s by the leading Arabic-English translator. Life before oil in this region was harsh, and many of the stories in this collection-by both men and women from all corners of the country-tell of those times and the almost unbelievable changes that have come about in the space of two generations. Some tell of the struggles faced in the early days, while others bring the immediate past and the present together, revealing that the past, with all its difficulties and dangers, nonetheless possesses a certain nostalgia. The volume includes stories by Abdul Hamid Ahmed, Roda al-Baluchi, Hareb al-Dhaheri, Nasser Al-Dhaheri, Maryam Jumaa Faraj, Jumaa al-Fairuz, Nasser Jubran, Saleh Karama, Lamees Faris al-Marzuqi, Mohamed al-Mazroui, Ebtisam Abdullah Al-Mu'alla, Ibrahim Mubarak, Mohamed al-Murr, Sheikha al-Nakhy, Mariam Al Saedi, Omniyat Salem, Salma Matar Seif, Ali Abdul Aziz al-Sharhan, Muhsin Soleiman, and 'A'ishaa al-Za'aby.

To collectors of modern military uniforms, Vietnam era tigerstripe combat fatigues have always been a much sought after commodity. The pattern itself, in all of its classic forms, is both exotic and unique and carries with it an immediate, esthetic sense of the full drama of that not to distant Southeast Asian conflict. There exists however, surrounding this one camouflage pattern numerous misconceptions. Tiger Patterns analyzes to the most minute degree, the finite variances which defined the many original, Vietnam era tigerstripe patterns and uniform cuts and establishes dependable identification techniques and practices, whether your particular interests area as a historian, veteran, modeler, or collector and enthusiast.

'A masterpiece... one of the best prose writers in our time' Michael Ondaatje Robert Grainier is a day labourer in the American West, felling the trees that feed the railways. It is the start of the twentieth century, and the world is changing at a rapid pace. Life is fragile in the wilds of the frontier; disease and forest fires are rife. Buffeted by the loss of his family, Grainier journeys, struggling to make sense of the bewildering changes transforming the nation. Rich and muscular, sweeping and incantatory, Train Dreams is an epic in miniature: an elegy to the ravaged beauty of a lost landscape, and a haunting indictment of the cost of our modern way of life. 'A work of extraordinary power and consummate skill... A masterpiece' Observer

Jimmy Luntz is an innocent man, more or less. He's just leaving a barbershop chorus contest in Bakersfield, California, thinking about placing a few bets at the track, when he gets picked up by a thug named Gambol and his life takes a calamitous turn. Turns out Jimmy owes Gambol's boss significant money, and Gambol's been known to do serious harm to his charges. Soon enough a gun comes out, and Jimmy's on the run. While in hiding he meets up with a vengeful, often-drunk bombshell named Anita, and the two of them go on the lam together, attracting every kind of trouble.
The latest from National Book Award-winning author Denis Johnson, Nobody Move "does exactly what noir should do--propel the reader downhill, with its cast of losers, louts and toughs as they cheat, shoot, and exploit one another into fast-talking oblivion" (Jess Walker, "The Boston Globe").

Provincetown, Cape Cod: the last outpost of civilisation, the end of the earth. In the confused aftermath of a failed suicide attempt, Leonard English - pursuing a vague vision of redemption and an even vaguer offer of employment - finds himself in a Cape resort populated by religious zealots and promiscuous transvestites. Taking a position as a part-time disc jockey-cum-private investigator, he falls hopelessly in love with a beautiful young gay woman. As winter approaches Leonard's anguish mounts, his search for an elusive artist proves as futile as his desire and his growing obsessions lead to a tragic discovery and unexpected personal satisfaction.